A central part describes the moment of death as a blinding light. In 1927, this ancient text was first translated into English by American author Walter Evans-Wentz on a trip to India. In Tibetan culture, those who were about to die were supposed to read The Tibetan Book of the Dead, a mortuary text which explains the process of life and rebirth. The “vital signs” of Meher Baba make up the hallucinatory intro to the album’s opener, Baba O’Riley. Lifehouse, a sprawling dystopian tale that includes an eerie premonition of the internet, was never realised, but some of its songs found their way onto 1971’s Who’s Next. Baba died in 1969 and Townshend became obsessed with trying to capture the master’s vital signs into a synthesiser and somehow translate that data into music. Baba had such an effect on Pete Townshend that the guitarist dedicated the album to him.īaba’s teaching had an even more overt effect on Townshend on what was supposed to be Tommy’s follow up, a rock opera called Lifehouse. Baba was an Indian spiritual master who claimed he was a god in human form. 1969’s Tommy was odd enough – a “deaf, dumb and blind kid” becomes unbeatable at pinball after suffering childhood trauma – which was partly inspired by the teaching of Indian spiritualist Meher Baba. In little more than half-a-decade they went from rocker-baiting mods to the inventors of the rock opera. A tad more interesting than “I love you/you don’t love me”, we can agree… Bush had loved the book, and wrote the song as if through the eyes of an adult Peter remembering his father’s arrest. His son Peter, only 13 at the time, wrote about his father’s arrest some years later in his book A Book of Dreams. The “orgonome accelarator’s” dubious claims led to Reich’s invention being injuncted when he broke the injunction he was arrested and died some months later in prison. The machine – which, naturally, required the patient to sit naked inside it – also formed the basis of a “cloudbuster”, a machine Reich claimed could induce rain to fall. He built a machine called the “orgonome accelerator” that he believed concentrated a form of cosmic energy. GradeSaver, 21 November 2023 Web.Another giant of psychoanalysis, Austrian-born Reich is regarded as one of psychiatry’s most radical figures, primarily for coining the term the “sexual revolution” and his belief that orgasms could cure neuroses. Next Section The Contemporary Worldwide Refugee Crisis: A Brief, Incomplete History Previous Section "Home" Summary and Analysis Buy Study Guide How To Cite in MLA Format GradeSaver "Home (Warsan Shire poem) Symbols, Allegory and Motifs". Escape is a constant in the life of a refugee, but its ultimate goal-to reach a safe place-is rarely reached, at least in "Home." Instead, refugees have to live in a constant state of fear, both at home, while they are running to new places in pursuit of a safer place, and once they arrive at a safer place, especially if they are entering without the right papers. The whole poem is about escape-about running away, about flight, about being chased. Shire's poem touches upon literally millions of refugee stories and a much more complex historical event, but she uses the poem's intimate, claustrophobic language to distill all those stories down to their rawest, darkest emotional cores. There are an estimated 68 million refugees worldwide, according to some UN estimates 3.1 million of those are asylum seekers. The whole poem is an allegorical, emotional look into the much larger story of migration, a phenomenon that is reshaping the modern world. For those living in their native countries, home has become as dangerous as the barrel of a gun, ready to fire and destroy anyone who stays. "The barrel of the gun" is a startlingly similar image to "the mouth of a shark." It symbolizes the dangers of home, and the fact that home is so violent that it is impossible to live in for refugees. Home has become a hungry, unfeeling predator, a step away from death. Home would only pull you in deeper into its darkness, digesting you and making you a part of it, after breaking you down. The "mouth of a shark" is a potent symbol: it compares staying at home to the experience of being torn apart and swallowed. Shire is an expert at explaining horror with particularly striking symbols. The poem's striking first line, "no one leaves home unless / home is the mouth of a shark," immediately introduces the reader to Shire's talent for metaphor and symbolism. Buy Study Guide Mouth of a shark (symbol)
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